Sidi goma singing at ICCR's 3rd International Sufi Festival

WildFilmsIndia 2014-08-12

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Sidi goma singing at ICCR's 3rd International Sufi Festival in Delhi.

The Siddhi, also known as Habshi, are an Indian and Pakistani ethnic group of Black African and/or Afro-Arab descent. The Siddi population is currently estimated to be 20,000--55,000, with Gujarat and Hyderabad in India and Makran and Karachi in Pakistan as the main population centres. Siddis are mainly Sufi Muslims, although some are Hindus and some Roman Catholic Christians. Villages in the forests of northern Karnataka, for instance, have residents who likely are descended from Mozambican/Angolan slaves who escaped from Portuguese traders and ships.

The first Siddis are thought to have arrived in the Indian subcontinent in 628 AD at the Bharuch port. Several others followed with the first Arab Islamic invasions of the subcontinent in 712 AD. The latter group are believed to have been soldiers with Muhammad bin Qasim's Arab army, and were called Zanjis.

Most Siddis, however, are believed to be the descendants of slaves, sailors, servants and merchants from East Africa who arrived and became resident in the subcontinent during the 1200-1900 AD period. A large influx of Siddis to the region occurred in the 17th century when Portuguese slave traders sold a number of them to local princes.
Flag of the Siddis from Murud-Janjira an important vassal of the Mughal Empire.

In Western India (the modern Indian states of Gujarat and Maharashtra), the Siddi gained a reputation for physical strength and loyalty, and were sought out as mercenaries by local rulers, and as domestic servants and farm labor. Some Siddis escaped slavery to establish communities in forested areas, and some even established small Siddi principalities on Janjira Island and at Jaffrabad as early as the twelfth century. A former alternative name of Janjira was Habshan (i.e., land of the Habshis). In the Delhi Sultanate period prior to the rise of the Mughals in India, Jamal-ud-Din Yaqut was a prominent Siddi slave-turned-nobleman who was a close confidant of Razia Sultana (1205--1240 CE). Although this is disputed, he may also have been her lover.

As a power centre, Siddis were sometimes allied with the Mughal Empire in its power-struggle with the Maratha Confederacy. However, Malik Ambar, a prominent Siddi figure in Indian history at large, is sometimes regarded as the "military guru of the Marathas", and was deeply allied with them. He established the town of Khirki which later became the modern city of Aurangabad, and helped establish the Marathas as a major force in the Deccan. Later, the Marathas adapted Siddi guerrilla warfare tactics to grow their power and ultimately demolish the Mughal empire. Some accounts describe the Mughal emperor Jahangir as obsessed by Ambar due to the Mughal empire's consistent failures in crushing him and his Maratha cavalry, describing him derogatorily as "the black faced" and "the ill-starred" in the royal chronicles and even having a painting commissioned that showed Jahangir killing Ambar, a fantasy which was never realised in reality.

Supposedly presented as slaves by the Portuguese to the local Prince, Nawab of Junagadh, the Siddis also live around Gir Forest National Park and Wildlife Sanctuary, the last refuge in the world of the almost extinct Asiatic Lions, in Junagadh a district of the state of Gujarat, India.

On the way to Deva-dungar is the quaint village of Sirvan, inhabited entirely by Siddis, a tribe of African people. They were brought 300 years ago from Africa, by the Portuguese for the Nawab of Junagadh. Today, they follow very few of their original customs, with a few exceptions like the traditional Dhamal dance.
Although Gujarati Siddis have adopted the language and many customs of their surrounding populations, some African traditions have been preserved. These include the Goma music and dance form, which is sometimes called Dhamaal.The term is believed to be derived from the Ngoma drumming and dance forms of Bantu East Africa. The Goma also has a spiritual significance and, at the climax of the dance, some dancers are believed to be vehicles for the presence of Siddi saints of the past

Source: Wikipedia

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