In a mysterious time-space interval, Jeremy Donald
Wellington (Ottaviano Blitch) remains unaccountably
trapped in the mental anti-chamber of his own
subconscious.
So, he finds himself witnessing, like an invisible
spectator (by the railing gate that separates him from
that surreal and imaginary dimension), a discussion
between diners with the only characteristic that they
are all dummies, including himself, who is sitting
paralyzed at the head of the table with only the ability to
move his eyes. He is dumbfounded, staring at himself
(Jeremy King) paralyzed, as though he too were trapped
like the dummies; he does not move his head,
alternating the movement of his eyes by turning them
towards the dummies, talking to each other about him
as though he weren’t there. The voices of the dummies,
which are all female, alternate in a decadent and
visionary setting. Something unexpected permanently
breaks the harmony, pushing the protagonist to awaken
from his paralysis until he discovers a mysterious red
curtain, which hides a fearsome foreboding, the
epilogue of a secret premonition.