Unlike her previous tours, the shows had more focus on visuals. The stage was lit by 300 lights spinning and flashing in synch with the music. The state of the art system was designed by Mark Fisher and Jonathan Park. The system had only been used previously by Pink Floyd in his "The Wall" show in Berlin and the Rolling Stones' "Urban Jungle Tour".[7] Houston also incorporated costume changes during her sets for the first time. She often wore skin tight jump suits. Houston also took part in choreographed dancing with backup dancers. Unlike her previous tours, the stage was not in the round. She was backed by a seven piece band. After her previous musical director John Simmons died, bass player Rickey Minor became the tour's musical director. R&B group After 7 opened during the North American leg. Dance act Snap! supported her on the European leg.
Houston reworked most of the songs during the show with improvisations and spontaneity, adding funk to the uptempos while slowing down the ballads.[8] According to the Minneapolis Star Tribune, "Saving All My Love for You" was "sultry, taking excursions through the church and jazz world that aren't heard on the recorded version."[9] She incorporated her popular love songs into a "Love Medley", giving her time to try out the newer uptempo/new jack swing numbers on her current album.[8] Midway through the shows, Houston introduced her band while singing the gospel "Revelation". This started the gospel set which included a cappella and solos from her backup singers. Her brother Gary Houston also performed a Marvin Gaye medley. With hip hop music becoming popular during the time, Houston incorporated rappers into the show. Rappers were given verses during "How Will I Know" while shouting "yo Whitney yo" throughout other songs.[8] During some of the shows, Houston incorporated her hit "All The Man That I Need" into a medley with the Billie Holiday classics "Lover Man (Oh Where Can You Be?)" and "My Man", which she dedicated to her own man at the time. At the time, Houston was rumored to be dating singer Bobby Brown. The rumor of course turned out to be true.[10] The Holliday cover earned praise from many critics. The Vancouver Sun said "her delivery was achingly soulful" and that the singer should continue towards that direction musically.[11] For some of the US dates, she performed her top ten pop hit "Miracle". Houston ended her show with "I'm Your Baby Tonight" before the encore, "Greatest Love of All", in Europe for some of the London, UK dates included the encore "I Belong to You".
Some criticized Houston for focusing on the MTV trend of relying on dancing and big production lighting. The Sun Sentinel noted that the singer should opt for smaller venues and theaters that are "far more suitable to her sophistication and talent."[12] USA Today praised the singer because she "shakes the confinements of her recordings' calculated productions and gets downright gutsy and soulful"