Tom Scott, like Feldman, is a product of a musical family who consequently took over very early in the profession. By the time he was 19, in 1967, he had mastered 5 instruments, played with Oliver Nelson and Don Ellis, and worked regularly on several TV seies. Both he and his father wrote scores for “Dragnet”. Chuck Domanico and John Guernin, who complete the quartet, were Scott’s sidemen in earlier recordings and were ubiquitous components of the Southern California jazz and studio scenes.